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Grand Opening of the Greatest Park in the World September 28, 2006

Posted by molliegreene in From Us to You, Local Events, Outdoor Play.
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Part of me doesn’t want to tell anyone about this fantastic Swiss Family style treehouse playground, dual soccer fields (for getting preschooler energy out we have races up and down and up and down the field — try it! They sleep harder, though not necessarily longer . . .) on either side of the hill on which the playgrounds stand, walking track, and terrific pavillion. There is a playground for younger children and one for older children which is conveniently large enough for grown-ups to enjoy with their kiddos, which makes it a lot more fun, and also easier to retrieve them when it’s time to go home. The best part is perhaps that the playground is in the shade, making long visits better.

Part of me doesn’t want to tell anyone about it because the potential for a crowded playground is greater when more people know about it. But the place is so great that I just can’t be selfish about it. Note: the photo on the site was taken when the park was still under construction and in no way depicts the terrific-ness of the place.

Herdklotz Park Dedication

September 30

9:30 a.m. Hot Air Balloon Rides

10:00 a.m. Dedication Ceremony

10:30 a.m. Concert in the Park by BJU Wind Band

OCTOBER: Earn Free Kindermusik Stuff or Tuition September 28, 2006

Posted by musiclasts in From Us to You, Kindermusik.
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Every Kindermusik class day is “Friend Day!” but this is the time during the semester when we place a special emphasis on bringing new-to-Kindermusik friends or expectant Moms to class. For the month of October we want to encourage you to invite a friend to visit a FREE Kindermusik class. Simply call the office to reserve a free visit for your friends.

 

We’re so convinced that music helps children become better learners that we want to give you and your new-to-Kindermusik friends a gift when they enroll in one of our classes for the first time!

  • A $10 gift certificate for you! It’s our way of saying “Thanks!” for every new-to-Kindermusik friend you refer who enrolls with us. There is no limit to how many $10 gift certificates you can earn!
  • A $10 gift certificate for your friend! It’s our way of saying “Welcome!” when a friend signs up for a class and says you sent her to enroll with Musical Impressions.

So, tell a friend or two (or three or four!) about what Kindermusik can do for their child. You’ll BOTH earn some serious gift certificate dollars redeemable towards any of the products we sell in class or towards your tuition for a future semester.

Music Turns Kids On — Flip the Switch.


Graduate Piano Recital September 28, 2006

Posted by molliegreene in From Us to You, Instrumental Instruction, PCMS News & Events.
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Piano Central’s very own Rachel Kreider will perform works of Prokofiev, Rachmaninoff, Debussey, Chopin and Schumann.  The recital is Friday, October 6, at Bob Jones Universtity in Stratton Hall at 7 p.m.

Admission is free and recitals are open to everyone ages 7 and up.

If Rachel is your teacher we’re sure she’d be pleased to see you there!

Parent Perspective #1 — Milk & Cookies September 22, 2006

Posted by musiclasts in Expert Insights, From Us to You, Kindermusik.
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Hearing Versus Listening

“Hearing and listening are quite different. Hearing is a process involving nerves and muscles that reach adult efficiency by age four to five. Listening is a learned mental
process that is concerned with hearing, attending, discriminating, understanding, and remembering. It can be improved with practice. Listening affects social interactions,
one’s level of functioning, and perhaps one’s overall success in life.” (Weiss
and Lilly-White, 1981)

—Early Childhood Experiences in Language Arts: Emerging Literacy, by Jeanne M. Machado, p. 137.

Research shows that music training can be of immense benefit to language
development. Music listening—such as paying attention to pitch variation and timbre—can increase a child’s ability to distinguish specific sounds within words. The awareness that comes from listening to rhythm in music can increase awareness of the rhythmic structure of language, thus helping children learn to read fluently.
-“The Relationship Between Music and Beginning Readers,” by Susannah J. Lamb and Andrew H. Gregory, Educational Psychology, Vol. 12 Issue 1, 1993, p. 19.

Active Listening

Active listening differs from hearing in that it is an intentional act. While we are surrounded by sounds in our everyday life, we choose whether or not to listen and process the sounds we hear. Active Listening activities are an opportunity to learn to listen intentionally. Each class of the Milk & Cookies semester includes Active Listening. The first Active Listening activity focused on the sounds of a hammer and a saw. After the children were told what they would hear, they listened to the sounds, imitated them vocally, and finally imitated the movement that might make the sounds. Through such activities, your child begins developing skills of attentive listening, comprehension, categorizing, recalling, recognizing, characterizing, describing, identifying, and evaluating. If your child doesn’t sit still and listen attentively during Active Listening, he is still learning just by being in the presence of the activity. Possibly, by the end of the semester, he will join the group during listening activities.

Making Listening Meaningful

In order to make listening meaningful, we must listen with expectation and
purpose. Organizing listening into the following three phases can help:
• Engage. Focus your child’s listening by presenting a puzzle or challenge—making listening interesting.
• Describe. Encourage your child to discuss what he hears, sees, thinks, and knows.

• Demonstrate. Provide opportunities for your child to demonstrate what she hears.
—Songworks II, by Peggy D. Bennett and Douglas R. Bartholomew, p. 43.
At Home
• Play games that promote active participation in listening. Listen to specific sounds: Home CD 1, tracks 3 & 23 or Home CD 2, tracks 19 & 23. Help your child identify them. Imitate them vocally and with props.
• Read books to your child to practice listening skills. Read At My House. Involve your child by asking questions about the pictures. “What kind of food do they have? Does your room look like this one?”
• Rock with your child while listening to your favorite selection. Although many people “listen” to music throughout the day, listening is often relegated to being a “background” event. Setting aside a special time for listening provides moments invaluable to the development of both emotional security and music appreciation.
• Make listening to a lullaby a bedtime ritual. Your Home CDs have a wide variety of lullabies—try “Barn Sull” (Home CD 1, track 16) or “Child Falling Asleep” (Home CD 1, track 10).
• While going about your daily routines, ask your child, “What do you hear?” then imitate the sounds vocally.

Parent Perspective #1 — Zoom Buggy September 22, 2006

Posted by musiclasts in Uncategorized.
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Steady Beat for Baby
Life has rhythm and pulse. A baby senses this in the womb as he hears the pulse of his mother’s heartbeat and feels the rhythm of her movements. For older children and adults, an example of steady beat in everyday life is the simple act of walking. Imagine if you changed speed with every step—that would make it quite hard to walk! Instead, in this and in countless other ways, you rely on your internalized sense of steady beat. One day your baby will, too. With this in mind, Kindermusik provides a steady diet of steady beat activities for your child.
The most fundamental property of music is beat—the unchanging, underlying, repeating pulse of music. The beat is what you feel and move to while dancing. Much of the familiar
music in our world includes rhythmic patterns that change but underneath which there is a steady pulse that we rely on to understand that rhythm.
Continued exposure to steady beat (hearing it, feeling it, moving to it) is important for Baby’s developing sense of steady beat. Her early expressions of steady beat may include rocking, nodding, patting, and kicking. Later your baby will demonstrate steady beatthrough clapping or playing a drum to a steady beat. An internalized awareness
of beat will help her coordinate her movements in time and will be a key factor in her learning to walk, dribble a basketball, and even use scissors.
Zoom Buggy Beat
Zoom Buggy is full of opportunities for Baby to experience and internalize
steady beat.
• “This Little Light of Mine,” used in the exercise ritual, focuses attention on steady beat movements of arms and legs.
• In “Song of the Train,” Baby is moved to the beat of a chant featuring train sounds.
• In “Trav’lin’ Round,” Baby feels steady beat in a variety of ways as you explore assorted locomotor movements to the steady beat of this song and dance.
• Steady beat can be fast or slow. Rocking and swaying to songs like “Drifting” is a way to experience a slower, gentler steady beat.
• Baby can explore the concept of steady beat with instruments and props, too. During “The Train Climbs Up the Track,” you and your baby can play with a chime ball to a steady beat. Shake or tap the ball in time to the music where Baby can see, or gently tap the ball on the bottom of his foot.

Ready, Steady, Feel the Beat at Home

Steady beat is inherent in many daily activities. Going for a walk, burping your baby, and talking all can involve pulse. Raising Baby’s awareness of the rhythm all around him by exploring beat can be a lot of fun! Here are some activities to share between classes.
• Dance to the music! First, sing and move along with the recording of “Trav’lin’ Round” (Home CD, track 3). Then make up your own version without the CD, using new movements not explored in class. Emphasize the steady beat in your movement!
• Take time for a lullaby slow dance with Baby to the recording of “Suliram” (Home CD, track 20).
• Bring steady beat to the bathtub! Play or recite “Splish, Splish, Splash!” (Home CD, track 21) while gently splashing to a steady beat as you help Baby get clean.
• Read Baby’s Zoom Buggy book. Pause to look at each page as you speak the sounds. Read it again, gently bouncing Baby to a steady beat as you speak the sounds.
• Teach a favorite adult in Baby’s life the up and down, steady beat “Zoom Ba Ba” rhyme from class, substituting that person’s name in the rhyme for the word “Mommy.”
“Rhythm is one of the principal translators between dream and reality. Rhythm might be described as to the world of sound, what light is to the world of sight. It shapes and gives meaning.”
~ Edith Sitwell

Tickling the Ivories September 22, 2006

Posted by molliegreene in Instrumental Instruction, Local Events.
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Award-winning pianist Angeline Larrivee will be performing works of Bach, Chopin, Prokofiev and Beethoven this Sunday, September 24th at 3 p.m. in the Carpenter Chapel at First Baptist Church Greenville located downtown at 847 Cleveland Street.

Admission is free and the concert is open to the public.

Kindermusik at Home 9/21-9/27 September 21, 2006

Posted by molliegreene in Expert Insights, From Us to You, Kindermusik.
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You may have your Semester Overview magnetized to your refrigerator, but have you taken the time to read this week’s Foundation of Learning (FOL) Focus and Home Activity Suggestions? In an effort to encourage you to read and do, we’ll be posting the weekly focus and suggestions, as well as reminding you to bring what needs to be brought to class, on a weekly basis.

Village, Zoom Buggy

FOL: Baby learns about objects through exploration and experience. Labeling an object (learning language) comes after exploration has allowed Baby to gain personal knowledge about the object.

Home Activity: Take Baby for a tour of his home, with you as his personal tour guide! There is an amazing variety of things you can introduce to your baby: pictures on the wall, door, door knobs, shower curtains, faucets, etc. Some things you may allow him to touch, other things will be best explored through sight. Tell Baby what you are seeing and, perhaps, how it is used. You can even label the rooms as you move about through the house. Labeling and allowing exploration everyday items will enrich Baby’s language development.

Our Time, Milk & Cookies

FOL: Labeling actions, such as scrubbing, and performing them simultaneously is central to the child’s discovery of meaning and context. Engaging in the actions in a safe and happy environment and with caring adults heightens the learning possibilities.

Home Activity: Scrub, Scrub, Scrub, p.9; Let’s Listen and Play!, pg 21; Ding! Ding!, pg. 37

Imagine That! Hello Weather, Let’s Play Together

FOL: “Children first need to be able to listen to and provide meaning to sounds in their environment. Guessing the objects that are the sources of sounds offers young children many opportunities to learn about sounds. “This is one of the important foundations for phonological awareness.”

Home Activity: Make a Morning Activities Tape & Puzzle Piece for Class using the template on page 47 and the directions on page 6. Play with your own Morning Activities Listening Puzzle using puzzle pieces on page 45 and directions on page 6.

  • Bring your tape, puzzle piece, and Ankle Bells to class next week!!

Young Child 1

FOL: Some percussion instruments such as rhythm sticks provide many opportunities for children to explore and refine their ability to keep a steady beat. The sticks also help to prepare children for other fine motor skills such as drawing and holding the mallets of a barred instrument. In the next few lessons, the rhythm sticks will help us reinforce all we are learning about steady beat and rhythmic patterns.

Home Activity: Explore different ways of playing a steady beat with your rhythm sticks. List your 3 favorite ways to play the sticks on your Home Card. Find something in or around your home that keeps a steady beat or can be used to create a steady beat. (i.e., a clock, a drum and mallet, etc.)

  • Bring your “beat keeper” to the next class.

Young Child 3

FOL: “Playing by ear” means a musician is playing from his or her musical memory. This is an important skill that musicians need to develop. Playing by ear is an indicator of good audiation skills and helps the musician perform more expressively.

Home Activity: Play “Twinkle, Twinkle” by ear on your dulcimer; After practicing 10 times, place the star sticker on your dulcimer; Can anyone else in your family play “Twinkle, Twinkle”? We will invite the adults to join in next week during class.

How was your first class? September 15, 2006

Posted by musiclasts in Expert Insights, From Us to You, Kindermusik, PCMS News & Events.
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WELCOME! We are so glad to be making music and miracles with you through Kindermusik! Over the next fifteen weeks don’t be surprised if you notice a lot of growth and change in your child as a result of actively participating in our Kindermusik classes.

 

 

 

 

 

You’ve just completed your first class!! How was it? The first class is just that – a first class! It’s normal for children to act, react and interact much differently in their first few classes than they will once they settle in to the classroom routine four or five weeks from now. Kindermusik is a positive place where music, movement, and literacy come together to aid in your child’s development, and we recognize that it can take time for the children to become less curious or less unsure of their surroundings and begin to participate more fully (each in their own way, of course!) both in class and at home.

Here are some typical “first class” responses that we have observed over the years:

Should I have named my child Ivy? All she did was cling to me the entire class!

It’s a new place, new people, other grown-ups/strangers, and A LOT of stimulation. Let your child get comfortable and she will participate when ready. Some children are very hands-on; other children learn by observing and absorbing. In either case, you’ll probably notice that Kindermusik will become a part of their play at home. Remember, Kindermusik is all about the process, not performance. Another hint: Resist the urge to chat with other parents during class and be an active role model, showing your child that you are having fun. Outside of class throughout the week, spend time together enjoying the home activities and also listening to your CDs.

What separation anxiety?! If he could drive, he’d come by himself!

Celebrate the fact that he obviously knows he is loved and cared for in his Kindermusik classroom, and is showing his growing independence. Feel free to move with your child and to participate from any location in the room, and don’t forget to grab him for a hug on the run!

My child cried and cried, and didn’t even want to go in!

One child became upset last year because he had to take his shoes off. . . Hey, they were new shoes! Some children don’t yet realize that mom/dad/grandma/nanny is going to stay and play too. They may think you are leaving. And of course, we all have rough days when we just need to cry! If you think you know the reason for the tears, let us know and we’ll help. But if not, don’t worry. We’ve all had an upset child at one time or another. We know that feeling secure is an important first step which precedes embracing and learning from a new experience, so comfort and reassure your child. Then take time for Kindermusik fun at home, and come back next week!

My child was so stimulated that we had to leave the classroom for a moment to re-focus.

Being in tune with your child’s needs is so important! The Kindermusik classroom can be a very exciting and stimulating place. If it becomes too much for your child, or if your child is just having difficulty focusing on the activity at hand, do step outside the classroom to calm and, if age appropriate, to talk to him about what you expect in the classroom. Feel great, too, that you were by his side to help him feel secure and to adapt – this is one intentional and important reason for a “parent-child” class. Please do re-join us as soon as you can, since re-entering the classroom and being happy when leaving will make positive progress towards next week’s feelings of security!

I played by myself while my child alternated sitting in the corner or hiding behind me.

Once again, it’s a new place with new people, new expectations and new activities. Continue to actively participate yourself, as this is the best way to encourage your child’s participation. Give your child time to become comfortable, and begin to listen and enjoy the songs and activities at home. We know that feeling secure is an important first step for all of us, and must occur prior to jumping in to participate. Remember, too, that if your child is present, he is overhearing and processing, absorbing and learning even from a distance.

My child and I played all kinds of instruments, and he/she even started to sing along!

Wonderful!! And this is just the beginning! Reinforce your child’s obvious love of music at home. Musical learning also benefits math, reading, language development and much more! Our motto is “A good beginning never ends.” We know that we have seven years of exciting music experiences for your family which will last a lifetime.

As you can see, for every response one child has, another may have the exact opposite. That’s okay! Your child is a uniquely special human being – that’s one of the things we love most about teaching Kindermusik. Let the children be themselves, participating along side them. We’re right here beside you, supporting you in your role as your child’s first and most important teacher.

More questions and comments from parents…

I wasn?t sure how my child would react to being in class with a range of ages, but she absolutely loved her first Kindermusik class and I did too!

We’re so glad! Each level of Kindermusik is designed to best suit the stages and goals of the age range they address. We have observed that children learn best when exposed to a group from which they can gain from a variety of perspectives, but where the overall group shares common developmental criteria. The child at the bottom of the age bracket will be ready to flourish in the environment, and will be looking to the older children to provide them with a model of new ways to move, create, and explore concepts. The child in the upper end of the bracket benefits from the ability to fully involve themselves with the imaginative aspects of the lesson, the ability to take a leadership role in developing the ideas presented, and the chance to have true mastery before moving on to a new challenge. It is a true strength of the program that we are privileged to see many stages of concept development going on simultaneously.

We are really excited about our Home Materials. How should we be using them at home?

A key part of the Kindermusik philosophy is the belief that young children learn best in a family environment, and that music needs to be a part of everyday life. We encourage families to think of their Kindermusik class as the springboard for a week’s worth of musical play and idea development. Home materials, carefully designed to suit the child’s developmental stage and the family’s needs, provide the tools for this portion of Kindermusik learning.

Here are a few highlights:

Professionally recorded and diverse CDs provide music for dancing, singing along, creating and playing along with instruments, joyful listening, and exposure to literally every type and genre of music.

Kindermusik Literature Books enhance a home library and are much loved developers of early literacy. Home activity journals, books, and cards provide the family with tested ways to expand the week?s themes beyond the classroom experiences with games, parenting information, and craft ideas.

Instruments included with many of our home materials begin what will become an extensive collection for hours of hands-on family music-making experiences.

Additional items suit each level?s developmental play style- whether wall banners/picture cards for infants and toddlers, specially designed instruments for older children, play sets for the creative mind of the preschooler, or the games bag for your Young Child student.

As a parent, do I need to know how to sing to have a successful Kindermusik experience?

No, you don’t. But you should be able to “fake it” well! Seriously, your child does not judge (or even recognize) the quality of your singing ability. He is, however, ready and eager to respond to your enthusiastic and joyful interaction with him! And, by the way, the voice is a muscle, so the more you use it, the better it will grow and develop – even as an adult!

We could tell our teacher really loves being in the Kindermusik classroom. She was having as much fun as we were! Can you tell me a little more about your staff?

Kindermusik teachers come from a wide variety of backgrounds, mainly music performance or education and early childhood education. Kindermusik International screens any potential educators for musical ability and the ability to interact with young children. They are then trained in Kindermusik foundations and teaching philosophy, early childhood development, and teaching techniques. Once licensed by Kindermusik International, the educator maintains yearly license updates and continues to develop through in-service training, additional coursework, and seminars. We are not a franchise – we are professionals who have chosen the Kindermusik teaching technique and curricula as the one we feel is best for developing the whole child through music in the most complete way possible. For more information about the Musical Impressions staff, we invite you to visit www.musicalimpressions.com.

What’s so special about the Kindermusik program here at Piano Central Music Studios?

We’re glad you asked! Here at Piano Central, we’re very proud to offer Kindermusik a program recognized around the world as the premier music program for young children. We also offer more than 50 class times, family fun and bonding in class and at home, parent educational tools, enhancement of your child’s total development, joyful exploration of your child’s musical potential, licensed, nurturing, experienced teachers, excellence – we are in the top 1% of programs worldwide, and commitment – now celebrating our 12th year of teaching Kindermusik classes! We truly are SO MUCH MORE THAN JUST MUSIC!

Please do not hesitate to let us know when we can be of further help. It is our privilege to have you and your child enrolled in our Kindermusik program. We’re looking forward to an incredible, musical semester together!

Musically,

Theresa Case

232-5010 / 1-800-792-4588

www.musicalimpressions.com

musimpinc@aol.com

www.MusicLasts.wordpress.com

Lollipops Concert: Three Fables September 11, 2006

Posted by molliegreene in Instrumental Instruction, Kindermusik, Local Events.
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Lollipops concerts are educational performances that introduce the basics of music and language to children. These unforgettable, informal performances feature musicians from the GSO collaborating with actors from the South Carolina Children’s Theatre and composer Jonathan Aceto through interactive storytelling that bring to life popular children’s literature. Lollipops are designed for pre-school aged children, but will be appreciated by all age groups, so bring the family!

 

All concerts will be held at 9:45 a.m. at the Hendricks Library in Simpsonville, and at 11:30 am at the Jean M. Smith Library in Greer. Lollipops concerts are free of charge and reservations are not necessary. Of course, all audience members receive a lollipop at the end of each performance!

 

This month’s concert will be held on Saturday, September 16, 2006 and features the GSO Woodwind Quartet performing “Three Fables” by Arnold Loble.

Art in the Park September 11, 2006

Posted by molliegreene in Instrumental Instruction, Kindermusik, Local Events, Outdoor Play.
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Art in the Park is located in downtown Greenville and features art from more than 80 artists as well as hands-on activities for children.

Festival hours are 10 a.m. to 6 p.m. Saturday and 11 a.m. to 5 p.m. Sunday. All events are free and open to the public.

For more specific information about the event, visit the Upstate Visual Arts Inc. website.